<\/figure>\n\n\n\nAnother King Kong <\/em>reboot, Kong: Skull Island <\/em>nevertheless does plenty to differentiate itself from its predecessors. This time around, the action takes place during the dying days of Vietnam, with a group of soldiers being recruited to travel to Skull Island and search it for signs of primeval life. What follows is a kind of mixture of Apocalypse Now<\/em>-style war movie and classic monster tale, with Kong cast as a peaceful creature dragged into a conflict between humans.<\/p>\n\n\n\n2. Godzilla vs. Kong <\/em>(dir. Adam Wingard, 2021)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nAfter Kong: Skull Island <\/em>made a play for profundity, Godzilla vs. Kong <\/em>did away with any suggestion that this approach might continue. It\u2019s a big, dumb monster movie in all the best ways; it eschews character drama and narrative in favour of the kind of colossal, breathtaking fight scenes you\u2019d expect from a movie called \u201cGodzilla vs. Kong<\/em>\u201d. As you might expect, there\u2019s more to the conflict than just these two monsters duking it out, but you\u2019ll get to see plenty of titanic punches thrown between the two.<\/p>\n\n\n\n3. Planet of the Apes <\/em>(dir. Franklin J. Schaffner, 1968)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nAlright, so Planet of the Apes <\/em>is only tangentially related to King Kong<\/em>; both of them are, after all, about apes to some degree. However, there are more similarities than there might initially appear to be. They\u2019re also both about what lies beneath the surface, and about not taking nature for granted. Planet of the Apes <\/em>is a more pulpy tale than King Kong<\/em>, but it\u2019s also got its serious side. If you want to see how this franchise improbably continued into the 2010s, then check out the excellent modern Apes <\/em>trilogy, too.<\/p>\n\n\n\n4. Rampage <\/em>(dir. Brad Peyton, 2018)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nKing Kong <\/em>isn\u2019t just a giant ape movie, of course, but it\u2019s arguable that Rampage <\/em>absolutely is. It stars Dwayne \u201cThe Rock\u201d Johnson, an effortless charisma machine, alongside a CGI albino gorilla, with whom he must work in order to stop mutants from levelling his city. It\u2019s based on a video game, and you can tell; the action sequences are clearly where the money is in this movie, with character drama and narrative pushed to the side. Still, it\u2019s huge fun while it lasts.<\/p>\n\n\n\n5. Jurassic World<\/em> (dir. Colin Trevorrow, 2015)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nThe whole Jurassic <\/em>franchise is something of a sister series to Kong <\/em>in some respects. Both of them concern humans meddling in something they were never meant to be involved in; the decision to exhibit fearsome creatures in both movies backfires horribly, leading to the events of the story. Jurassic World <\/em>is a continuation of the hugely successful Jurassic <\/em>franchise, and it does a good job at reviving that series\u2019 pulpy adventure schtick, although Chris Pratt\u2019s charisma can\u2019t quite save some of the dialogue.<\/p>\n\n\n\n6. The Lord of the Rings <\/em>(dir. Peter Jackson, 2001-2003)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nIf you love 2005\u2019s King Kong<\/em>, then you should definitely revisit Peter Jackson\u2019s excellent The Lord of the Rings <\/em>trilogy. It doesn\u2019t have the same focus on colossal creatures, but it does feature its fair share of breathtaking landscapes, and it has that intangible Peter Jackson \u201cfeel\u201d that makes everything on screen feel epic and expansive. Frodo and the Fellowship\u2019s journey needs no introduction; it\u2019s touching, grand, and funny, with plenty of incredible combat sequences.<\/p>\n\n\n\n7. Jumanji: Welcome to the Jungle <\/em>(dir. Jake Kasdan, 2017)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nContinuing the Jumanji <\/em>franchise seemed like an impossible task, but it proved to be one for which Jake Kasdan was more than well-equipped. 2017\u2019s Jumanji: Welcome to the Jungle <\/em>has a similar setting to the first half of King Kong<\/em>, but this time, it\u2019s all about the character interactions. Whip-smart dialogue and some truly hilarious moments complement the excellent casting of Jack Black and The Rock, as well as Karen Gillan, who proves herself a more than capable comic actress.<\/p>\n\n\n\n8. Godzilla <\/em>(dir. Gareth Edwards, 2014)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nGareth Edwards\u2019 2010 feature Monsters <\/em>is a highly underrated movie, although one rather gets the impression that the producers of 2014\u2019s Godzilla <\/em>didn\u2019t realise that Monsters <\/em>isn\u2019t really about monsters when they appointed Edwards to direct their movie. Godzilla <\/em>very much is about monsters, but the humans are compelling and likeable, too (how could they not be with Bryan Cranston involved?). The monster at the centre of proceedings feels appropriately huge, so this is one to check out if you want Kong<\/em>\u2019s sense of awe.<\/p>\n\n\n\n9. War of the Worlds <\/em>(dir. Steven Spielberg, 2005)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nWe\u2019re moving into more overt disaster territory with War of the Worlds<\/em>, but it\u2019s got Kong<\/em>\u2019s sense of massive scale and awe, so we\u2019re including it on this list. Spielberg is a reliably great filmmaker, and War of the Worlds <\/em>is not the misstep some feared it would be. Tom Cruise brings his strange charisma to a story that feels surprisingly modern and current; aliens simultaneously possessed of great intelligence and devoid of empathy invade Earth, and Cruise must survive in the wake of their arrival.<\/p>\n\n\n\n10. Arrival <\/em>(dir. Denis Villeneuve, 2016)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nArrival <\/em>might seem like a sideways move from Kong<\/em>, but think about it: both are about creatures hitherto unknown by humanity, and we must communicate with them in order to truly understand that they aren\u2019t just monstrous in nature. Arrival <\/em>is a masterful science fiction movie; it\u2019s thoughtful, emotionally resonant, and gripping from start to finish. We don\u2019t want to spoil this movie\u2019s surprises, so if you haven\u2019t seen it, make sure to add it to your list right now.<\/p>\n\n\n\n11. Pacific Rim <\/em>(dir. Guillermo del Toro, 2013)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nDuring interviews for Pacific Rim<\/em>, del Toro described it as his boyhood dream; he\u2019d always wanted to see a movie like this, and so he made that movie as an adult. Like Kong<\/em>, Pacific Rim <\/em>is all about giant monsters, although the kaiju in this movie are explicitly enemies to humanity. This is just as much a human film as it is about its monsters, though; humans cannot pilot the massive Jaeger robots without being emotionally connected to one another, so the story is as much about building connections as it is about fighting monsters.<\/p>\n\n\n\n