<\/figure>\n\n\n\nBilly Crystal and Meg Ryan star in this tale of love triumphing over spiky, witty adversity. Harry and Sally have been friends for many years, but there\u2019s an undeniable romantic and sexual attraction between them. Can the two of them maintain their friendship, or will something deeper inevitably develop? Sweet, funny, and very sharp, When Harry Met Sally <\/em>is an antidote to the kind of syrupy rom-coms that dominated the market in the early 2000s.<\/p>\n\n\n\n2. Pretty Woman <\/em>(dir. Garry Marshall, 1990)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nGarry Marshall may have eventually besmirched his good name with utter stinkers like New Year\u2019s Eve<\/em>, but Pretty Woman <\/em>remains the high watermark of his career. It stars an impossibly handsome Richard Gere and a beautiful Julia Roberts, the former as a businessman who hires the latter as a prostitute only to get more than he bargained for. The dialogue here is funny and sparky, and \u201cthat\u201d piano scene will go down in history as one of the most sumptuously erotic scenes ever committed to camera.<\/p>\n\n\n\n3. Clueless <\/em>(dir. Amy Heckerling, 1995)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nJane Austen is indestructible when it comes to romantic comedies, and Clueless <\/em>proves that to still be the case in the attitude-filled 1990s. It\u2019s a loose adaptation of Austen\u2019s Emma<\/em>; popular student Cher Horowitz befriends the more ordinary Tai Frasier and takes the latter under her wing, showing her the ropes of American high school life and potentially learning some lessons of her own along the way. Like a lot of movies like The Hating Game<\/em>, Clueless <\/em>is zingy and fun.<\/p>\n\n\n\n4. Palm Springs <\/em>(dir. Max Barbakow, 2020)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nWhat\u2019s worse than having to go to multiple weddings within a year? How about having to go to the same <\/em>wedding multiple times within a year? That\u2019s the premise of Max Barbakow\u2019s brilliant Palm Springs<\/em>, which stars Andy Samberg and Cristin Milioti as a couple who are stuck in a time loop together and forced to relive the same wedding over and over again. This is a rom-com with a nihilistic edge; it\u2019s not your usual sweet, syrupy fare at all.<\/p>\n\n\n\n5. Juno <\/em>(dir. Jason Reitman, 2007)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nStarring Elliot Page and Michael Cera, Juno <\/em>is a touching, sweet, and very wry tale (it\u2019s written by Diablo Cody, after all) about teenage pregnancy and expectations. The titular Juno must deal with an unplanned pregnancy and what everyone in her life thinks about it; in the end, she must come to terms with her own wishes for the baby and what she wants to do with her life, taking control of her destiny at the same time. If you want something a bit more sharp than your average rom-com, Juno <\/em>will work for you.<\/p>\n\n\n\n6. Breakfast at Tiffany\u2019s <\/em>(dir. Blake Edwards, 1961)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nAudrey Hepburn\u2019s performance in Breakfast at Tiffany\u2019s <\/em>is the blueprint for the modern \u201cmanic pixie dream girl\u201d. She\u2019s a rather off-kilter caf\u00e9 society debutante who falls in love with George Peppard\u2019s Paul Varjak, who\u2019s dealing with his own problems. Hepburn is effortlessly happy-go-lucky (or \u201cGolightly\u201d, indeed), and the movie is much more carefree and spirited than its conventional contemporaries. It\u2019s not a movie without controversies, but a lot of Breakfast at Tiffany\u2019s <\/em>does still hold up.<\/p>\n\n\n\n7. Crazy Rich Asians <\/em>(dir. Jon M. Chu, 2018)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nBased on Kevin Kwan\u2019s 2013 novel, Crazy Rich Asians <\/em>follows Constance Wu\u2019s Rachel Chu, an economics academic who travels to Singapore in order to attend the wedding of her boyfriend\u2019s best friend. Unfortunately, her boyfriend forgets to tell her that his family is insanely rich and also impossible to please, which means she\u2019s got her work cut out for her. What follows is a frequently hilarious observational comedy that will resonate with audiences both Asian and non-Asian.<\/p>\n\n\n\n8. You\u2019ve Got Mail <\/em>(dir. Nora Ephron, 1998)<\/strong><\/h2>\n\n\n\n<\/p>\n\n\n\n <\/figure>\n\n\n\nIf you recognise Nora Ephron\u2019s name, it\u2019s probably because she\u2019s a legend in the romantic comedy world. She wrote When Harry Met Sally<\/em>, as well as directing and writing classics like Sleepless in Seattle<\/em>. You\u2019ve Got Mail <\/em>is perhaps a somewhat more slight story than the above, but it does star a sparky Tom Hanks and Meg Ryan as rival bookstore owners who meet online. You can map the plot out with graph paper, but getting to You\u2019ve Got Mail<\/em>\u2019s inevitable conclusion is sweet and funny nonetheless.<\/p>\n\n\n\n9. The Holiday <\/em>(dir. Nancy Meyers, 2006)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nIt\u2019s become somewhat fashionable to hate The Holiday<\/em>, but it offers syrupy and delectable pleasures if you\u2019re a rom-com diehard. Jude Law and Jack Black star opposite Kate Winslet and Cameron Diaz, and all four are on form here. The setup is classic romcom: two women organise a home exchange at Christmas, getting much more than they bargained for and learning a little something about themselves in the process.<\/p>\n\n\n\n10. Some Like It Hot <\/em>(dir. Billy Wilder, 1959)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nThe unstoppable trio of Marilyn Monroe, Jack Lemmon, and Tony Curtis star in this early drag comedy about two men who dress up as women in order to escape the mob. Naturally, Tony Curtis\u2019 Joe falls in love with Monroe (because who wouldn\u2019t), but there\u2019s the small matter of his deception to deal with. You could fill a book with the excellent one-liners that pepper the script for this classic, so if you\u2019re looking for movies like The Hating Game<\/em>, this old-school rom-com should do the trick.<\/p>\n\n\n\n11. Silver Linings Playbook <\/em>(dir. David O. Russell, 2012)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nRenamed to simply Silver Linings <\/em>in some territories, David O. Russell\u2019s romantic comedy follows Bradley Cooper\u2019s Patrizio Solitano, a man who is diagnosed with bipolar disorder. He meets and falls in love with Jennifer Lawrence\u2019s Tiffany Maxwell, a widow who is also suffering with a mental illness (although hers is not named). The movie\u2019s portrayal of mental health issues might seem a little quaint by today\u2019s standards, but this is the movie that proved Cooper\u2019s talent as a serious actor.<\/p>\n\n\n\n12. Love, Simon <\/em>(dir. Greg Berlanti, 2018)<\/strong><\/h2>\n\n\n\n <\/figure>\n\n\n\nTo put it simply, there aren\u2019t enough LGBTQ+ love stories in movies, and Love, Simon <\/em>is just one of the pictures attempting to rectify that situation. It stars Nick Robinson as Simon Spier, a closeted teenager attempting to deal with his feelings and with a blackmailer who\u2019s trying to out him to his whole school. While the movie does contain some LGBTQ+ trauma, it\u2019s not focused on suffering or pain, instead choosing to look at the hugely positive aspects of Simon\u2019s identity and his life.<\/p>\n\n\n\n